Blake is old-school. He shoots black-and-white film with simple cameras. He develops and prints his own pictures. He hasn’t used Skype since his last interview there, three years ago.
And then he meets me. A clash of sorts. His happy accident-based style of shooting, my “I’m gonna figure this out in my head” approach.
But there are similarities, too. We both like instant film. And we agree that after everything is said and done, it’s all about the photos.